Sunday, June 24, 2018

Friday, June 22, 2018

18-6-21

What strikes me today about these photographs I take is what isn't in the frame. Every single one of these photos has one thing in common; me. And a journey that brought me to this moment in time. It's the longest day of the year. It's been a longer day for me, with regular work and then a side job that has me lifting carpet and painting and installing new flooring on a Thursday night until dusk. You can't see how tired I am in this photograph. You can't see the six pack picked up from Bomber brewing on the seat of a 1998 GMC Savana van to my right. A van that has been a part of my life for over 100000kms and more than a decade. You can't see a pair of Carhart work pants weighted down with paint, sweat, and life, creeping down my hips because I was too lazy to move my belt over, or the boots scuffed into a personalized and confessional item of sorts. You don't see a woman wearing a blue and white dress and strappy shoes to my left, walking down the sidewalk with some bag filled with a treasure of some sort procured earlier in the day. You don't see the steady stream of cyclists aimed at various homes to the east streaming by me on what is actually a bike route. You don't see how tired I am.

You do see a city fading into darkness on the longest day of the year, and sunlight tracing clouds late into the evening. And I wonder about the things that aren't in the photograph.

Wednesday, June 20, 2018

18-6-20

Ghosts. I saw ghosts today. I'm not sure how I'm supposed to feel.

18-6-19


18-6-18

AC.

18-6-17

Howlin' Rain.

18-6-16

Bruschetta deserves home made baguette. So I made some baguette.

Sunday, June 10, 2018

Tuesday, June 5, 2018

18-6-4

Digital.

I don't hate it. Sometimes it just works.

I like this photograph.

18-6-3

My first coffee in this place was in 1996. I didn't have a coffee tonight. Didn't need to. The dude at the table? That's a painting of him up at the top of the frame by the menu. Time....

18-6-2

Anti-hipster photo. Of the food after it was eaten. Take that.

18-6-1

1995 Stumpjumper. Repainted for the second time. Handmade in Japan. Mostly the original spec, well, not really, but the spec I learned was right after picking the wrong one, but it was in 1996 that I sorted this out. Great bike. I should really put knobbies back on it, and somewhere I have a Marzocchi fork that will run cantilever brakes, and that should go back on here too.

But then I'd have to ride it offroad again. Do I need the pressure? Probably.

Monday, June 4, 2018

18-5-31

 End of the roll. It took some time but I got to this:


 I develop my own black and white film. I take colour to a lab. This is what I fought for in PhotoShop after an hour or so, and there are still artifacts that I need to clean up, and I'll revise this post after I do so. This is because the apes at even the fancy labs want to hang your film with large, sharp hooks that mess with your photos. Like this:



18-5-30




Proof that I take more than one photo a day. Question is, did anyone want proof?

18-5-29

Barbed wire and poppies. Cliche? Sure, why not?

18-5-28

Porta 160 film. Old school. For old school.